2026-06-27T19:00:59+00:00<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
Unik\u00e1tn\u00ed s\u00f3lov\u00e9 vystoupen\u00ed propojuje klasickou interpretaci s hudebn\u00ed avantgardou. Tento ve\u010der je mostem mezi tradic\u00ed a experimentem<\/strong>, v prost\u0159ed\u00ed historick\u00e9ho z\u00e1mku rezonuje i symbolika harlek\u00fdna jako p\u0159echodu mezi \u017eivotem a smrt\u00ed.<\/p>Hudebn\u011b sc\u00e9nick\u00fd tane\u010dn\u00ed kus\u00a0Harlek\u00fdn\u00a0<\/em>pro jedin\u00e9ho s\u00f3lov\u00e9ho hr\u00e1\u010de-herce-tane\u010dn\u00edka je inspirov\u00e1n tradi\u010dn\u00ed postavou italsk\u00e9 commedie dell\u2019arte. Byl dokon\u010den v\u00a0roce 1975 a ur\u010den Stockhausenov\u011b \u201edvorn\u00ed\u201c klarinetistce, Ameri\u010dance Susanne Stephens. Ta p\u0159ed premi\u00e9rou 7. b\u0159ezna 1976 v\u00a0Kol\u00edn\u011b nad R\u00fdnem absolvovala fyzicky n\u00e1ro\u010dnou d\u016fkladnou tane\u010dn\u00ed pr\u016fpravu. Stockhausenova partitura obsahuje velmi podrobn\u00e9 instrukce nejen k\u00a0interpretaci (v\u010detn\u011b detailn\u00edch \u010dasov\u00fdch \u00fadaj\u016f, jak dlouho m\u00e1 trvat ten kter\u00fd dlouh\u00fd t\u00f3n \u010di pauza), ale tak\u00e9 mno\u017estv\u00ed pokyn\u016f k\u00a0pohybov\u011b tane\u010dn\u00edm akc\u00edm. Samotn\u00fd s\u00f3lov\u00fd part\u00a0Harlek\u00fdna<\/em>\u00a0je mimo\u0159\u00e1dn\u011b obt\u00ed\u017en\u00fd, i kdyby se m\u011bl hr\u00e1t \u201ejen\u201c koncertn\u011b, tj. bez dal\u0161\u00ed akce. Pouh\u00e9 udr\u017een\u00ed n\u00e1stroje v\u00a0rukou, klarinetov\u00e9 hubi\u010dky v\u00a0\u00fastech a zachov\u00e1n\u00ed kvality n\u00e1tisku b\u011bhem pohybu t\u011bla vy\u017eaduje dlouh\u00fd tr\u00e9nink. Je pravdou, \u017ee ve sv\u011bt\u011b p\u0159ijalo tuto obrovskou v\u00fdzvu s \u00fasp\u011bchem jen n\u011bkolik m\u00e1lo interpret\u016f.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tProgram:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tC. Monteverdi: Selva Morale e Spirituale<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tH. Sch\u00fctz: Kleine geistliche Chormusik<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tD. Buxtehude: Membra Jesu nostri<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tS. Capricornus: Jubilus Bernhardi<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tJ. S. Bach: Jesu, meine Freude (BWV 227)<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tD\u00e9lka koncertu: 60 minut<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tna\u010d\u00edt\u00e1n\u00ed...<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tkoupit vstupenku<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\tZ\u00e1\u0161titu nad koncertem p\u0159evzal starosta m\u011bsta Brunt\u00e1l Bc.\u00a0Martin\u00a0Hen\u010d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tPartner koncertu<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t Karel Dohnal <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\tKarel Dohnal z\u00edskal v roce 2021 Cenu Jantar v kategorii S\u00f3lista roku. Absolvoval Ostravskou konzervato\u0159 a Akademii m\u00fazick\u00fdch um\u011bn\u00ed v Praze. Je laure\u00e1tem Sout\u011b\u017ee Pra\u017esk\u00e9ho jara a d\u00e1le \u0159ady mezin\u00e1rodn\u00edch sout\u011b\u017e\u00ed, mimo jin\u00e9 v \u0158\u00edm\u011b, Bayreuthu, Seville a Lond\u00fdn\u011b. Je uzn\u00e1van\u00fdm s\u00f3listou, jeho\u017e vystoupen\u00ed si obl\u00edbili poslucha\u010di po cel\u00e9 Evrop\u011b, v Asii, Severn\u00ed i Ji\u017en\u00ed Americe. Sv\u00e1 studia roz\u0161\u00ed\u0159il na Guildhall School of Music and Drama v Lond\u00fdn\u011b, Universit\u00e4t der K\u00fcnste v\u00a0Berl\u00edn\u011b, Hilversum Conservatory a Konzervato\u0159i N. A. Rimsk\u00e9ho-Korsakova v Petrohrad\u011b. Pedagogicky p\u016fsob\u00ed na Fakult\u011b um\u011bn\u00ed Ostravsk\u00e9 univerzity a pravideln\u011b vyu\u010duje na interpreta\u010dn\u00edch mistrovsk\u00fdch kurzech u n\u00e1s i v zahrani\u010d\u00ed.<\/span><\/p><\/div>Karel Dohnal je cen\u011bn nejen pro svou technickou brilantnost a interpreta\u010dn\u00ed hloubku, ale tak\u00e9 pro propagaci m\u00e9n\u011b uv\u00e1d\u011bn\u00fdch a sou\u010dasn\u00fdch d\u011bl. \u201eSkladatel se mus\u00ed v\u017edy respektovat<\/i>,\u201c \u0159\u00edk\u00e1, \u201eale osobn\u011b m\u011b t\u011b\u0161\u00ed mo\u017enost spoluvytv\u00e1\u0159et mnoh\u00e1 d\u00edla p\u0159\u00edmo na p\u00f3diu a reagovat na bezprost\u0159edn\u00ed podn\u011bty z publika a akustiky s\u00e1lu<\/i>.\u201c<\/span><\/p><\/div>Jedn\u00edm z jeho nejv\u00fdrazn\u011bj\u0161\u00edch po\u010din\u016f je proveden\u00ed skladby Harlekin<\/em> Karlheinze Stockhausena, p\u0159i n\u011bm\u017e kombinuje hru na klarinet s komedi\u00e1ln\u00edm a hereck\u00fdm talentem. Karel Dohnal pat\u0159\u00ed mezi hrstku klarinetist\u016f na sv\u011bt\u011b, kte\u0159\u00ed tuto mimo\u0159\u00e1dn\u011b n\u00e1ro\u010dnou skladbu prov\u00e1d\u011bj\u00ed, a jeho v\u00fdkony jsou oce\u0148ov\u00e1ny kritikou i publikem. Jak napsal Keith Bruce z Herald Scotland<\/em>: \u201eHarlekin Karlheinze Stockhausena v pod\u00e1n\u00ed Karla Dohnala bylo, jednodu\u0161e \u0159e\u010deno, t\u00e9m\u011b\u0159 nej\u00fa\u017easn\u011bj\u0161\u00edch 45 minut, jak\u00e9 jsem kdy za\u017eil<\/i>.\u201c<\/span><\/p><\/div>V\u00fdznamn\u00e9 jsou tak\u00e9 jeho nahr\u00e1vky. Na CD s klarinetov\u00fdmi koncerty Rudolfa Kub\u00edna, Jeana Fran\u00e7aixe a koncertantn\u00ed symfoni\u00ed Miloslava Kabel\u00e1\u010de spolupracoval se Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu a Moravskou filharmoni\u00ed pod veden\u00edm dirigent\u016f Marka Ivanovi\u0107e a Ond\u0159eje Vrabce. Nahr\u00e1vky si z\u00edskaly nad\u0161en\u00e9 p\u0159ijet\u00ed: \u201eP\u0159i nahr\u00e1v\u00e1n\u00ed t\u011bchto d\u011bl prok\u00e1zal Karel Dohnal op\u011bt svou um\u011bleckou suverenitu, podpo\u0159enou technickou brilantnost\u00ed, k\u0159i\u0161\u0165\u00e1lov\u011b \u010distou intonac\u00ed, p\u0159esv\u011bd\u010div\u00fdm v\u00fdrazem a odvahou vstoupit do nezn\u00e1m\u00fdch vod klarinetov\u00e9ho reperto\u00e1ru,\u201c <\/i>napsal \u010dasopis Harmonie<\/em>. Jeho CD \u010cesk\u00e1 hudba pro klarinet<\/em> bylo nominov\u00e1no na Cenu And\u011bl 2021.<\/span><\/p><\/div>Mezi nejv\u00fdznamn\u011bj\u0161\u00ed vystoupen\u00ed Karla Dohnala z posledn\u00ed doby pat\u0159\u00ed proveden\u00ed klarinetov\u00fdch koncert\u016f s Bambersk\u00fdmi symfoniky pod veden\u00edm Jakuba Hr\u016f\u0161i (Copland<\/em>), Essensk\u00fdmi filharmoniky s Tom\u00e1\u0161em Netopilem (Copland<\/em>, Mozart<\/em>), Gy\u00f6rsk\u00fdmi filharmoniky (Kub\u00edn<\/em>), Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu (\u0160tochl<\/em>, Debussy<\/em>), Hudbou Hradn\u00ed str\u00e1\u017ee a Policie \u010cR (Nelh\u00fdbel<\/em>), Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (Hillborg<\/em>), Philharmonische Orchester Gera (Kapr\u00e1lov\u00e1<\/em>) a USC Symphony Orchestra (Fran\u00e7aix<\/em>).<\/span><\/p><\/div>Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Hudebn\u011b sc\u00e9nick\u00fd tane\u010dn\u00ed kus\u00a0Harlek\u00fdn\u00a0<\/em>pro jedin\u00e9ho s\u00f3lov\u00e9ho hr\u00e1\u010de-herce-tane\u010dn\u00edka je inspirov\u00e1n tradi\u010dn\u00ed postavou italsk\u00e9 commedie dell\u2019arte. Byl dokon\u010den v\u00a0roce 1975 a ur\u010den Stockhausenov\u011b \u201edvorn\u00ed\u201c klarinetistce, Ameri\u010dance Susanne Stephens. Ta p\u0159ed premi\u00e9rou 7. b\u0159ezna 1976 v\u00a0Kol\u00edn\u011b nad R\u00fdnem absolvovala fyzicky n\u00e1ro\u010dnou d\u016fkladnou tane\u010dn\u00ed pr\u016fpravu. Stockhausenova partitura obsahuje velmi podrobn\u00e9 instrukce nejen k\u00a0interpretaci (v\u010detn\u011b detailn\u00edch \u010dasov\u00fdch \u00fadaj\u016f, jak dlouho m\u00e1 trvat ten kter\u00fd dlouh\u00fd t\u00f3n \u010di pauza), ale tak\u00e9 mno\u017estv\u00ed pokyn\u016f k\u00a0pohybov\u011b tane\u010dn\u00edm akc\u00edm. Samotn\u00fd s\u00f3lov\u00fd part\u00a0Harlek\u00fdna<\/em>\u00a0je mimo\u0159\u00e1dn\u011b obt\u00ed\u017en\u00fd, i kdyby se m\u011bl hr\u00e1t \u201ejen\u201c koncertn\u011b, tj. bez dal\u0161\u00ed akce. Pouh\u00e9 udr\u017een\u00ed n\u00e1stroje v\u00a0rukou, klarinetov\u00e9 hubi\u010dky v\u00a0\u00fastech a zachov\u00e1n\u00ed kvality n\u00e1tisku b\u011bhem pohybu t\u011bla vy\u017eaduje dlouh\u00fd tr\u00e9nink. Je pravdou, \u017ee ve sv\u011bt\u011b p\u0159ijalo tuto obrovskou v\u00fdzvu s \u00fasp\u011bchem jen n\u011bkolik m\u00e1lo interpret\u016f.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tProgram:<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tC. Monteverdi: Selva Morale e Spirituale<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tH. Sch\u00fctz: Kleine geistliche Chormusik<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tD. Buxtehude: Membra Jesu nostri<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tS. Capricornus: Jubilus Bernhardi<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/path><\/svg>\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t\t\t\tJ. S. Bach: Jesu, meine Freude (BWV 227)<\/b><\/span>\n\t\t\t\t\t\t\t\t\t<\/li>\n\t\t\t\t\t\t<\/ul>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tD\u00e9lka koncertu: 60 minut<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tna\u010d\u00edt\u00e1n\u00ed...<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tkoupit vstupenku<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\tZ\u00e1\u0161titu nad koncertem p\u0159evzal starosta m\u011bsta Brunt\u00e1l Bc.\u00a0Martin\u00a0Hen\u010d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\tPartner koncertu<\/h5>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t Karel Dohnal <\/div><\/span>\n\t\t\t\t\t\t\t\n\t\t\t<\/path><\/svg><\/span>\n\t\t\t<\/path><\/svg><\/span>\n\t\t<\/span>\n\n\t\t\t\t\t\t<\/summary>\n\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\t\tKarel Dohnal z\u00edskal v roce 2021 Cenu Jantar v kategorii S\u00f3lista roku. Absolvoval Ostravskou konzervato\u0159 a Akademii m\u00fazick\u00fdch um\u011bn\u00ed v Praze. Je laure\u00e1tem Sout\u011b\u017ee Pra\u017esk\u00e9ho jara a d\u00e1le \u0159ady mezin\u00e1rodn\u00edch sout\u011b\u017e\u00ed, mimo jin\u00e9 v \u0158\u00edm\u011b, Bayreuthu, Seville a Lond\u00fdn\u011b. Je uzn\u00e1van\u00fdm s\u00f3listou, jeho\u017e vystoupen\u00ed si obl\u00edbili poslucha\u010di po cel\u00e9 Evrop\u011b, v Asii, Severn\u00ed i Ji\u017en\u00ed Americe. Sv\u00e1 studia roz\u0161\u00ed\u0159il na Guildhall School of Music and Drama v Lond\u00fdn\u011b, Universit\u00e4t der K\u00fcnste v\u00a0Berl\u00edn\u011b, Hilversum Conservatory a Konzervato\u0159i N. A. Rimsk\u00e9ho-Korsakova v Petrohrad\u011b. Pedagogicky p\u016fsob\u00ed na Fakult\u011b um\u011bn\u00ed Ostravsk\u00e9 univerzity a pravideln\u011b vyu\u010duje na interpreta\u010dn\u00edch mistrovsk\u00fdch kurzech u n\u00e1s i v zahrani\u010d\u00ed.<\/span><\/p><\/div>Karel Dohnal je cen\u011bn nejen pro svou technickou brilantnost a interpreta\u010dn\u00ed hloubku, ale tak\u00e9 pro propagaci m\u00e9n\u011b uv\u00e1d\u011bn\u00fdch a sou\u010dasn\u00fdch d\u011bl. \u201eSkladatel se mus\u00ed v\u017edy respektovat<\/i>,\u201c \u0159\u00edk\u00e1, \u201eale osobn\u011b m\u011b t\u011b\u0161\u00ed mo\u017enost spoluvytv\u00e1\u0159et mnoh\u00e1 d\u00edla p\u0159\u00edmo na p\u00f3diu a reagovat na bezprost\u0159edn\u00ed podn\u011bty z publika a akustiky s\u00e1lu<\/i>.\u201c<\/span><\/p><\/div>Jedn\u00edm z jeho nejv\u00fdrazn\u011bj\u0161\u00edch po\u010din\u016f je proveden\u00ed skladby Harlekin<\/em> Karlheinze Stockhausena, p\u0159i n\u011bm\u017e kombinuje hru na klarinet s komedi\u00e1ln\u00edm a hereck\u00fdm talentem. Karel Dohnal pat\u0159\u00ed mezi hrstku klarinetist\u016f na sv\u011bt\u011b, kte\u0159\u00ed tuto mimo\u0159\u00e1dn\u011b n\u00e1ro\u010dnou skladbu prov\u00e1d\u011bj\u00ed, a jeho v\u00fdkony jsou oce\u0148ov\u00e1ny kritikou i publikem. Jak napsal Keith Bruce z Herald Scotland<\/em>: \u201eHarlekin Karlheinze Stockhausena v pod\u00e1n\u00ed Karla Dohnala bylo, jednodu\u0161e \u0159e\u010deno, t\u00e9m\u011b\u0159 nej\u00fa\u017easn\u011bj\u0161\u00edch 45 minut, jak\u00e9 jsem kdy za\u017eil<\/i>.\u201c<\/span><\/p><\/div>V\u00fdznamn\u00e9 jsou tak\u00e9 jeho nahr\u00e1vky. Na CD s klarinetov\u00fdmi koncerty Rudolfa Kub\u00edna, Jeana Fran\u00e7aixe a koncertantn\u00ed symfoni\u00ed Miloslava Kabel\u00e1\u010de spolupracoval se Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu a Moravskou filharmoni\u00ed pod veden\u00edm dirigent\u016f Marka Ivanovi\u0107e a Ond\u0159eje Vrabce. Nahr\u00e1vky si z\u00edskaly nad\u0161en\u00e9 p\u0159ijet\u00ed: \u201eP\u0159i nahr\u00e1v\u00e1n\u00ed t\u011bchto d\u011bl prok\u00e1zal Karel Dohnal op\u011bt svou um\u011bleckou suverenitu, podpo\u0159enou technickou brilantnost\u00ed, k\u0159i\u0161\u0165\u00e1lov\u011b \u010distou intonac\u00ed, p\u0159esv\u011bd\u010div\u00fdm v\u00fdrazem a odvahou vstoupit do nezn\u00e1m\u00fdch vod klarinetov\u00e9ho reperto\u00e1ru,\u201c <\/i>napsal \u010dasopis Harmonie<\/em>. Jeho CD \u010cesk\u00e1 hudba pro klarinet<\/em> bylo nominov\u00e1no na Cenu And\u011bl 2021.<\/span><\/p><\/div>Mezi nejv\u00fdznamn\u011bj\u0161\u00ed vystoupen\u00ed Karla Dohnala z posledn\u00ed doby pat\u0159\u00ed proveden\u00ed klarinetov\u00fdch koncert\u016f s Bambersk\u00fdmi symfoniky pod veden\u00edm Jakuba Hr\u016f\u0161i (Copland<\/em>), Essensk\u00fdmi filharmoniky s Tom\u00e1\u0161em Netopilem (Copland<\/em>, Mozart<\/em>), Gy\u00f6rsk\u00fdmi filharmoniky (Kub\u00edn<\/em>), Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu (\u0160tochl<\/em>, Debussy<\/em>), Hudbou Hradn\u00ed str\u00e1\u017ee a Policie \u010cR (Nelh\u00fdbel<\/em>), Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (Hillborg<\/em>), Philharmonische Orchester Gera (Kapr\u00e1lov\u00e1<\/em>) a USC Symphony Orchestra (Fran\u00e7aix<\/em>).<\/span><\/p><\/div>Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
D\u00e9lka koncertu: 60 minut<\/p>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
Z\u00e1\u0161titu nad koncertem p\u0159evzal starosta m\u011bsta Brunt\u00e1l Bc.\u00a0Martin\u00a0Hen\u010d.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
Karel Dohnal z\u00edskal v roce 2021 Cenu Jantar v kategorii S\u00f3lista roku. Absolvoval Ostravskou konzervato\u0159 a Akademii m\u00fazick\u00fdch um\u011bn\u00ed v Praze. Je laure\u00e1tem Sout\u011b\u017ee Pra\u017esk\u00e9ho jara a d\u00e1le \u0159ady mezin\u00e1rodn\u00edch sout\u011b\u017e\u00ed, mimo jin\u00e9 v \u0158\u00edm\u011b, Bayreuthu, Seville a Lond\u00fdn\u011b. Je uzn\u00e1van\u00fdm s\u00f3listou, jeho\u017e vystoupen\u00ed si obl\u00edbili poslucha\u010di po cel\u00e9 Evrop\u011b, v Asii, Severn\u00ed i Ji\u017en\u00ed Americe. Sv\u00e1 studia roz\u0161\u00ed\u0159il na Guildhall School of Music and Drama v Lond\u00fdn\u011b, Universit\u00e4t der K\u00fcnste v\u00a0Berl\u00edn\u011b, Hilversum Conservatory a Konzervato\u0159i N. A. Rimsk\u00e9ho-Korsakova v Petrohrad\u011b. Pedagogicky p\u016fsob\u00ed na Fakult\u011b um\u011bn\u00ed Ostravsk\u00e9 univerzity a pravideln\u011b vyu\u010duje na interpreta\u010dn\u00edch mistrovsk\u00fdch kurzech u n\u00e1s i v zahrani\u010d\u00ed.<\/span><\/p><\/div>Karel Dohnal je cen\u011bn nejen pro svou technickou brilantnost a interpreta\u010dn\u00ed hloubku, ale tak\u00e9 pro propagaci m\u00e9n\u011b uv\u00e1d\u011bn\u00fdch a sou\u010dasn\u00fdch d\u011bl. \u201eSkladatel se mus\u00ed v\u017edy respektovat<\/i>,\u201c \u0159\u00edk\u00e1, \u201eale osobn\u011b m\u011b t\u011b\u0161\u00ed mo\u017enost spoluvytv\u00e1\u0159et mnoh\u00e1 d\u00edla p\u0159\u00edmo na p\u00f3diu a reagovat na bezprost\u0159edn\u00ed podn\u011bty z publika a akustiky s\u00e1lu<\/i>.\u201c<\/span><\/p><\/div>Jedn\u00edm z jeho nejv\u00fdrazn\u011bj\u0161\u00edch po\u010din\u016f je proveden\u00ed skladby Harlekin<\/em> Karlheinze Stockhausena, p\u0159i n\u011bm\u017e kombinuje hru na klarinet s komedi\u00e1ln\u00edm a hereck\u00fdm talentem. Karel Dohnal pat\u0159\u00ed mezi hrstku klarinetist\u016f na sv\u011bt\u011b, kte\u0159\u00ed tuto mimo\u0159\u00e1dn\u011b n\u00e1ro\u010dnou skladbu prov\u00e1d\u011bj\u00ed, a jeho v\u00fdkony jsou oce\u0148ov\u00e1ny kritikou i publikem. Jak napsal Keith Bruce z Herald Scotland<\/em>: \u201eHarlekin Karlheinze Stockhausena v pod\u00e1n\u00ed Karla Dohnala bylo, jednodu\u0161e \u0159e\u010deno, t\u00e9m\u011b\u0159 nej\u00fa\u017easn\u011bj\u0161\u00edch 45 minut, jak\u00e9 jsem kdy za\u017eil<\/i>.\u201c<\/span><\/p><\/div>V\u00fdznamn\u00e9 jsou tak\u00e9 jeho nahr\u00e1vky. Na CD s klarinetov\u00fdmi koncerty Rudolfa Kub\u00edna, Jeana Fran\u00e7aixe a koncertantn\u00ed symfoni\u00ed Miloslava Kabel\u00e1\u010de spolupracoval se Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu a Moravskou filharmoni\u00ed pod veden\u00edm dirigent\u016f Marka Ivanovi\u0107e a Ond\u0159eje Vrabce. Nahr\u00e1vky si z\u00edskaly nad\u0161en\u00e9 p\u0159ijet\u00ed: \u201eP\u0159i nahr\u00e1v\u00e1n\u00ed t\u011bchto d\u011bl prok\u00e1zal Karel Dohnal op\u011bt svou um\u011bleckou suverenitu, podpo\u0159enou technickou brilantnost\u00ed, k\u0159i\u0161\u0165\u00e1lov\u011b \u010distou intonac\u00ed, p\u0159esv\u011bd\u010div\u00fdm v\u00fdrazem a odvahou vstoupit do nezn\u00e1m\u00fdch vod klarinetov\u00e9ho reperto\u00e1ru,\u201c <\/i>napsal \u010dasopis Harmonie<\/em>. Jeho CD \u010cesk\u00e1 hudba pro klarinet<\/em> bylo nominov\u00e1no na Cenu And\u011bl 2021.<\/span><\/p><\/div>Mezi nejv\u00fdznamn\u011bj\u0161\u00ed vystoupen\u00ed Karla Dohnala z posledn\u00ed doby pat\u0159\u00ed proveden\u00ed klarinetov\u00fdch koncert\u016f s Bambersk\u00fdmi symfoniky pod veden\u00edm Jakuba Hr\u016f\u0161i (Copland<\/em>), Essensk\u00fdmi filharmoniky s Tom\u00e1\u0161em Netopilem (Copland<\/em>, Mozart<\/em>), Gy\u00f6rsk\u00fdmi filharmoniky (Kub\u00edn<\/em>), Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu (\u0160tochl<\/em>, Debussy<\/em>), Hudbou Hradn\u00ed str\u00e1\u017ee a Policie \u010cR (Nelh\u00fdbel<\/em>), Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (Hillborg<\/em>), Philharmonische Orchester Gera (Kapr\u00e1lov\u00e1<\/em>) a USC Symphony Orchestra (Fran\u00e7aix<\/em>).<\/span><\/p><\/div>Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Karel Dohnal je cen\u011bn nejen pro svou technickou brilantnost a interpreta\u010dn\u00ed hloubku, ale tak\u00e9 pro propagaci m\u00e9n\u011b uv\u00e1d\u011bn\u00fdch a sou\u010dasn\u00fdch d\u011bl. \u201eSkladatel se mus\u00ed v\u017edy respektovat<\/i>,\u201c \u0159\u00edk\u00e1, \u201eale osobn\u011b m\u011b t\u011b\u0161\u00ed mo\u017enost spoluvytv\u00e1\u0159et mnoh\u00e1 d\u00edla p\u0159\u00edmo na p\u00f3diu a reagovat na bezprost\u0159edn\u00ed podn\u011bty z publika a akustiky s\u00e1lu<\/i>.\u201c<\/span><\/p><\/div>Jedn\u00edm z jeho nejv\u00fdrazn\u011bj\u0161\u00edch po\u010din\u016f je proveden\u00ed skladby Harlekin<\/em> Karlheinze Stockhausena, p\u0159i n\u011bm\u017e kombinuje hru na klarinet s komedi\u00e1ln\u00edm a hereck\u00fdm talentem. Karel Dohnal pat\u0159\u00ed mezi hrstku klarinetist\u016f na sv\u011bt\u011b, kte\u0159\u00ed tuto mimo\u0159\u00e1dn\u011b n\u00e1ro\u010dnou skladbu prov\u00e1d\u011bj\u00ed, a jeho v\u00fdkony jsou oce\u0148ov\u00e1ny kritikou i publikem. Jak napsal Keith Bruce z Herald Scotland<\/em>: \u201eHarlekin Karlheinze Stockhausena v pod\u00e1n\u00ed Karla Dohnala bylo, jednodu\u0161e \u0159e\u010deno, t\u00e9m\u011b\u0159 nej\u00fa\u017easn\u011bj\u0161\u00edch 45 minut, jak\u00e9 jsem kdy za\u017eil<\/i>.\u201c<\/span><\/p><\/div>V\u00fdznamn\u00e9 jsou tak\u00e9 jeho nahr\u00e1vky. Na CD s klarinetov\u00fdmi koncerty Rudolfa Kub\u00edna, Jeana Fran\u00e7aixe a koncertantn\u00ed symfoni\u00ed Miloslava Kabel\u00e1\u010de spolupracoval se Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu a Moravskou filharmoni\u00ed pod veden\u00edm dirigent\u016f Marka Ivanovi\u0107e a Ond\u0159eje Vrabce. Nahr\u00e1vky si z\u00edskaly nad\u0161en\u00e9 p\u0159ijet\u00ed: \u201eP\u0159i nahr\u00e1v\u00e1n\u00ed t\u011bchto d\u011bl prok\u00e1zal Karel Dohnal op\u011bt svou um\u011bleckou suverenitu, podpo\u0159enou technickou brilantnost\u00ed, k\u0159i\u0161\u0165\u00e1lov\u011b \u010distou intonac\u00ed, p\u0159esv\u011bd\u010div\u00fdm v\u00fdrazem a odvahou vstoupit do nezn\u00e1m\u00fdch vod klarinetov\u00e9ho reperto\u00e1ru,\u201c <\/i>napsal \u010dasopis Harmonie<\/em>. Jeho CD \u010cesk\u00e1 hudba pro klarinet<\/em> bylo nominov\u00e1no na Cenu And\u011bl 2021.<\/span><\/p><\/div>Mezi nejv\u00fdznamn\u011bj\u0161\u00ed vystoupen\u00ed Karla Dohnala z posledn\u00ed doby pat\u0159\u00ed proveden\u00ed klarinetov\u00fdch koncert\u016f s Bambersk\u00fdmi symfoniky pod veden\u00edm Jakuba Hr\u016f\u0161i (Copland<\/em>), Essensk\u00fdmi filharmoniky s Tom\u00e1\u0161em Netopilem (Copland<\/em>, Mozart<\/em>), Gy\u00f6rsk\u00fdmi filharmoniky (Kub\u00edn<\/em>), Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu (\u0160tochl<\/em>, Debussy<\/em>), Hudbou Hradn\u00ed str\u00e1\u017ee a Policie \u010cR (Nelh\u00fdbel<\/em>), Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (Hillborg<\/em>), Philharmonische Orchester Gera (Kapr\u00e1lov\u00e1<\/em>) a USC Symphony Orchestra (Fran\u00e7aix<\/em>).<\/span><\/p><\/div>Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Jedn\u00edm z jeho nejv\u00fdrazn\u011bj\u0161\u00edch po\u010din\u016f je proveden\u00ed skladby Harlekin<\/em> Karlheinze Stockhausena, p\u0159i n\u011bm\u017e kombinuje hru na klarinet s komedi\u00e1ln\u00edm a hereck\u00fdm talentem. Karel Dohnal pat\u0159\u00ed mezi hrstku klarinetist\u016f na sv\u011bt\u011b, kte\u0159\u00ed tuto mimo\u0159\u00e1dn\u011b n\u00e1ro\u010dnou skladbu prov\u00e1d\u011bj\u00ed, a jeho v\u00fdkony jsou oce\u0148ov\u00e1ny kritikou i publikem. Jak napsal Keith Bruce z Herald Scotland<\/em>: \u201eHarlekin Karlheinze Stockhausena v pod\u00e1n\u00ed Karla Dohnala bylo, jednodu\u0161e \u0159e\u010deno, t\u00e9m\u011b\u0159 nej\u00fa\u017easn\u011bj\u0161\u00edch 45 minut, jak\u00e9 jsem kdy za\u017eil<\/i>.\u201c<\/span><\/p><\/div>V\u00fdznamn\u00e9 jsou tak\u00e9 jeho nahr\u00e1vky. Na CD s klarinetov\u00fdmi koncerty Rudolfa Kub\u00edna, Jeana Fran\u00e7aixe a koncertantn\u00ed symfoni\u00ed Miloslava Kabel\u00e1\u010de spolupracoval se Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu a Moravskou filharmoni\u00ed pod veden\u00edm dirigent\u016f Marka Ivanovi\u0107e a Ond\u0159eje Vrabce. Nahr\u00e1vky si z\u00edskaly nad\u0161en\u00e9 p\u0159ijet\u00ed: \u201eP\u0159i nahr\u00e1v\u00e1n\u00ed t\u011bchto d\u011bl prok\u00e1zal Karel Dohnal op\u011bt svou um\u011bleckou suverenitu, podpo\u0159enou technickou brilantnost\u00ed, k\u0159i\u0161\u0165\u00e1lov\u011b \u010distou intonac\u00ed, p\u0159esv\u011bd\u010div\u00fdm v\u00fdrazem a odvahou vstoupit do nezn\u00e1m\u00fdch vod klarinetov\u00e9ho reperto\u00e1ru,\u201c <\/i>napsal \u010dasopis Harmonie<\/em>. Jeho CD \u010cesk\u00e1 hudba pro klarinet<\/em> bylo nominov\u00e1no na Cenu And\u011bl 2021.<\/span><\/p><\/div>Mezi nejv\u00fdznamn\u011bj\u0161\u00ed vystoupen\u00ed Karla Dohnala z posledn\u00ed doby pat\u0159\u00ed proveden\u00ed klarinetov\u00fdch koncert\u016f s Bambersk\u00fdmi symfoniky pod veden\u00edm Jakuba Hr\u016f\u0161i (Copland<\/em>), Essensk\u00fdmi filharmoniky s Tom\u00e1\u0161em Netopilem (Copland<\/em>, Mozart<\/em>), Gy\u00f6rsk\u00fdmi filharmoniky (Kub\u00edn<\/em>), Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu (\u0160tochl<\/em>, Debussy<\/em>), Hudbou Hradn\u00ed str\u00e1\u017ee a Policie \u010cR (Nelh\u00fdbel<\/em>), Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (Hillborg<\/em>), Philharmonische Orchester Gera (Kapr\u00e1lov\u00e1<\/em>) a USC Symphony Orchestra (Fran\u00e7aix<\/em>).<\/span><\/p><\/div>Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
V\u00fdznamn\u00e9 jsou tak\u00e9 jeho nahr\u00e1vky. Na CD s klarinetov\u00fdmi koncerty Rudolfa Kub\u00edna, Jeana Fran\u00e7aixe a koncertantn\u00ed symfoni\u00ed Miloslava Kabel\u00e1\u010de spolupracoval se Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu a Moravskou filharmoni\u00ed pod veden\u00edm dirigent\u016f Marka Ivanovi\u0107e a Ond\u0159eje Vrabce. Nahr\u00e1vky si z\u00edskaly nad\u0161en\u00e9 p\u0159ijet\u00ed: \u201eP\u0159i nahr\u00e1v\u00e1n\u00ed t\u011bchto d\u011bl prok\u00e1zal Karel Dohnal op\u011bt svou um\u011bleckou suverenitu, podpo\u0159enou technickou brilantnost\u00ed, k\u0159i\u0161\u0165\u00e1lov\u011b \u010distou intonac\u00ed, p\u0159esv\u011bd\u010div\u00fdm v\u00fdrazem a odvahou vstoupit do nezn\u00e1m\u00fdch vod klarinetov\u00e9ho reperto\u00e1ru,\u201c <\/i>napsal \u010dasopis Harmonie<\/em>. Jeho CD \u010cesk\u00e1 hudba pro klarinet<\/em> bylo nominov\u00e1no na Cenu And\u011bl 2021.<\/span><\/p><\/div>Mezi nejv\u00fdznamn\u011bj\u0161\u00ed vystoupen\u00ed Karla Dohnala z posledn\u00ed doby pat\u0159\u00ed proveden\u00ed klarinetov\u00fdch koncert\u016f s Bambersk\u00fdmi symfoniky pod veden\u00edm Jakuba Hr\u016f\u0161i (Copland<\/em>), Essensk\u00fdmi filharmoniky s Tom\u00e1\u0161em Netopilem (Copland<\/em>, Mozart<\/em>), Gy\u00f6rsk\u00fdmi filharmoniky (Kub\u00edn<\/em>), Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu (\u0160tochl<\/em>, Debussy<\/em>), Hudbou Hradn\u00ed str\u00e1\u017ee a Policie \u010cR (Nelh\u00fdbel<\/em>), Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (Hillborg<\/em>), Philharmonische Orchester Gera (Kapr\u00e1lov\u00e1<\/em>) a USC Symphony Orchestra (Fran\u00e7aix<\/em>).<\/span><\/p><\/div>Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Mezi nejv\u00fdznamn\u011bj\u0161\u00ed vystoupen\u00ed Karla Dohnala z posledn\u00ed doby pat\u0159\u00ed proveden\u00ed klarinetov\u00fdch koncert\u016f s Bambersk\u00fdmi symfoniky pod veden\u00edm Jakuba Hr\u016f\u0161i (Copland<\/em>), Essensk\u00fdmi filharmoniky s Tom\u00e1\u0161em Netopilem (Copland<\/em>, Mozart<\/em>), Gy\u00f6rsk\u00fdmi filharmoniky (Kub\u00edn<\/em>), Symfonick\u00fdm orchestrem \u010cesk\u00e9ho rozhlasu (\u0160tochl<\/em>, Debussy<\/em>), Hudbou Hradn\u00ed str\u00e1\u017ee a Policie \u010cR (Nelh\u00fdbel<\/em>), Jan\u00e1\u010dkovou filharmoni\u00ed Ostrava (Hillborg<\/em>), Philharmonische Orchester Gera (Kapr\u00e1lov\u00e1<\/em>) a USC Symphony Orchestra (Fran\u00e7aix<\/em>).<\/span><\/p><\/div>Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Karel Dohnal je \u010dlenem orchestru St\u00e1tn\u00ed opery v Praze, PhilHarmonia Octet, Tria Amadeus a Arundo Quartet. Jako ambasador zna\u010dky Selmer Paris hraje na klarinet modelu Recital t\u00e9to firmy a pou\u017e\u00edv\u00e1 pl\u00e1tky Reserve Classic americk\u00e9ho v\u00fdrobce D\u2019Addario Woodwinds.<\/span><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/details>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\n\t\t\t\t\t\n\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\t\t\t\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
STOCKHAUSEN – HARLEK\u00ddN:Karel Dohnal (klarinet)<\/p>","protected":false},"author":3,"featured_media":23382,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[59],"tags":[],"post_folder":[120],"class_list":["post-21676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-salla-terrena-zamek-bruntal"],"acf":[],"_links":{"self":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/comments?post=21676"}],"version-history":[{"count":57,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions"}],"predecessor-version":[{"id":23954,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/posts\/21676\/revisions\/23954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media\/23382"}],"wp:attachment":[{"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/media?parent=21676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/categories?post=21676"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/tags?post=21676"},{"taxonomy":"post_folder","embeddable":true,"href":"https:\/\/klasternihudebnislavnosti.cz\/en\/wp-json\/wp\/v2\/post_folder?post=21676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}